Q: What makes Lehde’s Night different from other ensembles, and how would you describe its vibe?
A: Lehde’s Night is completely student-led, which makes it unique from other ensembles where there’s a professional. This is all based on what every student wants to play, which makes it a really relaxed vibe — very unorganized, but very fun and loose.
Q: What instrument do you play, and what inspired you to choose it?
A: My main instrument is the clarinet. I picked it because it was the only one I could get sound out of in fourth grade, but I kept playing because I loved the sound and heard great clarinetists during concerts.
Q: Walk me through a typical rehearsal. What’s the energy like?
A: It’s really loose. We set up, talk, play tunes we all know—blues, standards. If someone wants to learn a tune, they teach it to the group, and then we run through it.
Q: What’s the most challenging piece you’ve had to learn?
A: It’s all improvising. So learning the melody is all fine, but then thinking of things to do during your improvisation — that’s always difficult.
Q: Is there a moment in a performance where you feel the ensemble click?
A: Definitely. There’s a difference between playing with the beat and really feeling the beat together. And when it works, it’s really fun.
Q: How does the group handle mistakes?
A: We take mistakes in stride. You know, we just keep going. We have a chuckle, but it’s not a big deal.
Q: What’s something the audience doesn’t usually notice that you wish they did?
A: How organic everything is. Everything we do is on the spot. We don’t plan anything; we don’t even plan what songs we’re going to play before the performance.
Q: How has Lehde’s Night shaped your relationship with music?
A: It showed me the magic of playing live. We rehearse way less than we perform, so it’s fun just showing up, playing, and making people happy.
Q: Describe Lehde’s Night in one word and why.
A: Alive. People always say jazz is a dying art and outdated. But as high schoolers still playing it, we’re keeping the music alive. And playing with an audience is very lively and captivating.
